Cedar Walton Quartet

Cedar Walton Quartet

Cedar Walton Quartet

This artist is not due to appear at Ronnie Scott's yet - sign up to our email newsletter to be informed when they are here.

Sign Up »

Cedar walton- Piano, David Williams - bass, Willie Jones III - drums, Piero Odorici - sax

Legendary pianist and composer of such jazz classics as ‘Bolivia’ and ‘Ugetsu’ who provided the harmonic springboard for the acclaimed three horn line-up of Freddie Hubbard, Curtis Fuller and Wayne Shorter in the 1963 edition of Art Blakey’ Jazz Messengers. Since the 1970s, Cedar has toured the world with his own quartet, becoming an audience favourite. Tonight he brings with him bassist David Williams, first-call drummer Willie Jones III and saxophonist Piero Odorici.

 

FULL BIO

For over 25 years, pianist Cedar Walton has enjoyed an uptempo career, which never seems to slow down. Maintaining a non-stop itinerary, Walton has accompanied a litany of Jazz greats while also fronting his own successful groups. Born January 17, 1934 in Dallas, Texas, Walton set his sights on a career in music at an early age. An after-hours gig at the Denver Club introduced him to notable musicians like Charlie Parker, Dizzy Gillespie and John Coltrane, who would sit in with Walton's group when they passed through town.

 

From there, Walton ventured to New York and began to work locally with Lou Donaldson, Gigi Gryce, Sonny Rollins and Kenny Dorham before landing his first touring job with J.J. Johnson. Soon after, the pianist made his recording debut backing Kenny Dorham on the Riverside album Kenny Dorham Sings. He also made two records with J.J. Johnson' s group on Columbia Records before joining the Art Farmer/Benny Golson Jazztet, a group he toured and recorded with for two years. Walton's next major musical association was with Art Blakey and the Jazz Messengers. During his three years tenure with Blakey, Walton stepped forward a composer, contributing originals like Mosaic and The Promised Land to the group's recordings for the Blue Note and Riverside labels.

Walton left the Jazz Messengers to lead rhythm sections and trios throughout the New York club and recording studio circuits. His debut recording as a leader came in 1966 with the release of Cedar on Prestige Records. From the late '60s to early '70s, Walton kept steady company with bassist Sam Jones and drummers Louis Hayes and Billy Higgins in multi-purpose trios that occasionally annexed saxophonists Clifford Jordan, George Coleman or Bob Berg for specific tours and albums.

During the '80s, Walton embarked on a variety of interesting projects, which have grown into lasting affiliations. In 1981, he formed a trio with Ron Carter and Billy Higgins, which clicked right from the start. Around the same time, Walton became part of the Timeless All-stars, a sextet also featuring Harold Land, Bobby Hutcherson, Curtis Fuller, Buster Williams and Billy Higgins. Walton also ignited rhythm sections behind the likes of Milt Jackson, Frank Morgan, Dexter Gordon and vocalists Ernestine Anderson and Freddy Cole, and held the piano chair of The Trumpet Summit Band.

Walton's efforts have been well documented on record. In addition to a host of dates as a sideman, the pianist has been recording with his own groups at a prolific rate, as evidenced by an assortment of albums on the Timeless, Discovery, Red Baron and Steeple Chase record labels.

Walton is one of the most influential musicians active today. His original compositions like Bolivia, Clockwise and Firm Roots are frequently recorded by other musicians, and have become part of the standard Jazz repertoire. His playing regularly receives praise from critics, fellow Jazz musicians and audience around the world. Cedar Walton has emerged as a true master of the music he loves.

For over 25 years, pianist Cedar Walton  has enjoyed an uptempo career, which never seems to slow down. Maintaining a non-stop itinerary, Walton has accompanied a litany of Jazz greats while also fronting his own successful groups. Born January 17, 1934 in Dallas, Texas, Walton set his sights on a career in music at an early age. An after-hours gig at the Denver Club introduced him to notable musicians like Charlie Parker, Dizzy Gillespie and John Coltrane, who would sit in with Walton's group when they passed through town.

 

From there, Walton ventured to New York and began to work locally with Lou Donaldson, Gigi Gryce, Sonny Rollins and Kenny Dorham before landing his first touring job with J.J. Johnson. Soon after, the pianist made his recording debut backing Kenny Dorham on the Riverside album Kenny Dorham Sings. He also made two records with J.J. Johnson' s group on Columbia Records before joining the Art Farmer/Benny Golson Jazztet, a group he toured and recorded with for two years. Walton's next major musical association was with Art Blakey and the Jazz Messengers. During his three years tenure with Blakey, Walton stepped forward a composer, contributing originals like Mosaic and The Promised Land to the group's recordings for the Blue Note and Riverside labels.

Walton left the Jazz Messengers to lead rhythm sections and trios throughout the New York club and recording studio circuits. His debut recording as a leader came in 1966 with the release of Cedar on Prestige Records. From the late '60s to early '70s, Walton kept steady company with bassist Sam Jones and drummers Louis Hayes and Billy Higgins in multi-purpose trios that occasionally annexed saxophonists Clifford Jordan, George Coleman or Bob Berg for specific tours and albums.

During the '80s, Walton embarked on a variety of interesting projects, which have grown into lasting affiliations. In 1981, he formed a trio with Ron Carter and Billy Higgins, which clicked right from the start. Around the same time, Walton became part of the Timeless All-stars, a sextet also featuring Harold Land, Bobby Hutcherson, Curtis Fuller, Buster Williams and Billy Higgins. Walton also ignited rhythm sections behind the likes of Milt Jackson, Frank Morgan, Dexter Gordon and vocalists Ernestine Anderson and Freddy Cole, and held the piano chair of The Trumpet Summit Band.

Walton's efforts have been well documented on record. In addition to a host of dates as a sideman, the pianist has been recording with his own groups at a prolific rate, as evidenced by an assortment of albums on the Timeless, Discovery, Red Baron and Steeple Chase record labels.

Walton is one of the most influential musicians active today. His original compositions like Bolivia, Clockwise and Firm Roots are frequently recorded by other musicians, and have become part of the standard Jazz repertoire. His playing regularly receives praise from critics, fellow Jazz musicians and audience around the world. Cedar Walton has emerged as a true master of the music he loves.

Latest News

Competition, WIN tickets/festival passes to International Piano Trio Week! INTERNATIONAL PIANO TRIO FESTIVAL LATE LATE SHOW LISTING - BOOK YOUR TICKETS NOW! Fantastic Free opportunity for students 12-17 years old - BIG BAND IN A DAY! Sunday Jazz Lunches, every Sunday! Membership to Ronnie Scott's

Twitter Feed

Twitter Facebook
Copyright © 2012 Ronnie Scott's, All Rights Reserved.

PRIVACY & COOKIES | Website Terms of Use | Ticket and Admission Terms

Registered in England No. 1590762.
Registered Address: Palm Glen Ltd, Park House, 26 North End Road, London NW11 7PT
Copyright © 2014 Ronnie Scott's, All Rights Reserved.

View Full SIte

Copyright © 2014 Ronnie Scott's, All Rights Reserved.