Top UK pianist is hosting the Late Late show tonight featuring his quartet!
“We haven't had anything like this in New York for over twenty years". Wynton Marsalis
The Ronnie Scott's Late Late Show!
MONDAY - THURSDAY 11pm-3am
FRIDAY - SATURDAY 1am-3am
ENTRY ON THE DOOR or PREBOOKING AVAILABLE NOW (MON - THUR ONLY)
£10 Entry, £5 Students (with ID), FREE entry to MU, Club members and main show ticket holders
In 1959, saxophonist Ronnie Scott opened the door to a small basement club in London’s west end where local musicians could jam. Today, it is one of the world’s most famous jazz clubs attracting packed houses and the biggest names in jazz and popular music and Ronnie Scott’s welcoming, stylish setting is also home to London’s coolest late night hang.
Each night Monday to Saturday, after the main act, Ronnie Scott’s presents the Late Late Show, where some of the UK’s finest jazz talents take to the stage for a late night blowing session.
Pianist and composer Tom Cawley has been performing and recording with the country’s most successful and groundbreaking jazz artists for over ten years. Since winning the Young Jazz Musician of the Year award in 1998 he has played all over the world and led bands in residencies at the Blue Note club (New York) and Ronnie Scott’s (London).
Recently he has been instrumental in shaping the unique sound of the genre-bending iconoclasts Acoustic Ladyland, as well as writing and arranging songs with Gwyneth Herbert for her Blue Note debut album ‘Between Me And The Wardrobe’.
2007 saw the debut of Cawley’s much-acclaimed group Curios, a vehicle for Tom’s original music. The album, Hidden, made a startling impact on the jazz scene, winning a nomination as Best Album in the BBC Jazz Awards and reaching the top five in both the HMV and Radio 3 Jazz Charts. MOJO described the record as “an extraordinary collection of deeply personal, highly evolved music”; the Independent made Hidden Album Of The Week and called it “never less than spellbinding”, and Musician magazine declared Curios “a shining light for British jazz”.
An extensive UK tour confirmed their hype, prompting the Guardian to declare that “the startling promise of the album glows ever more brightly live”. Curios were subsequently recorded in session for Jazz On 3, and invited to appear at the new Royal Festival Hall in June. Shortly afterwards, John Fordham placed them on the cover of Jazz UK magazine and wrote a large article about the band in which he proclaimed, “Just when you think EST, or Brad Mehldau, ot The Bad Plus might have taken the piano trio as far as it can go, another keyboard talent opens another door. Pianist Tom Cawley has done just that with Curios”.
As a composer, Tom’s writing is informed by romantic classical music as much as by jazz, and his piano playing betrays many influences: Phineas Newborn, Brad Mehldau and all points in between. He has written for many types of ensemble, from a string quartet to a big band, and had compositions played in large venues such as the Festival Hall and the Cardiff Millennium Hall. Despite this breadth of experience, his style is his resolutely his own. As MOJO observed whilst reviewing Hidden, “any detectable influences are overwhelmed by the individuality of the conception, the imaginative compositions and the sheer skill of the execution.”