Friday 28th March 2014
- Saturday 29th March 2014
£25.00 - £45.00
Jeff Lorber Fusion feat. Jimmy Haslip, Eric Marienthal and Lionel Cordew
THE JEFF LORBER FUSION REVISIT A REVOLUTIONARY SOUND
THEY HELPED PIONEER
By the late 1970s, trailblazing keyboardist/composer/producer Jeff Lorber had become a prominent figure in the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and international audience via a combination of complex harmonies, unconventional time signatures and compelling rhythms.
In subsequent years, Lorber dropped the term “fusion” from his billing as the movement evolved into what is currently known as contemporary jazz. Still, he continued to explore the innovative, improvisational potential of grafting other musical forms to the jazz idiom.
More than three decades after his earliest recordings, Lorber has come full circle. His new recording, Galaxy, set for release January 31, 2012, on Heads Up International, a division of Concord Music Group, revisits a sound he helped pioneer. The album takes the experiment that he started with his last GRAMMY®-nominated CD, Now is the Time, up a notch with 11 exciting and energetic new compositions performed by some of the biggest names in jazz today. Core members Lorber, bassist Jimmy Haslip and saxophonist Eric Marienthal are in rare form, aided by the explosive playing of drummer Vinnie Colaiuta and guest appearances by trumpeter Randy Brecker, percussionist Lenny Castro, guitarists Paul Jackson Jr. and Larry Koonse, and drummer Dave Weckl.
Lorber’s music reaches a new level by crystallizing jazz, funk, and Latin rhythms with some killer melodies that will certainly translate to live performance. The first track, “Live Wire,” blends a blistering house beat with extended solos by Lorber and Koonse and some amazing drum fills from Colaiuta. “Big Brother” moves into hip hop territory, similar to Jeff's grooving “Rain Dance,” which became a huge hit for Notorious Big and Lil' Kim as “Crush on You.” “Montserrat” sounds like a mixture of Sly Stone and Tower of Power, with super funky horn arrangements by Dave Mann. Obviously, a year spent touring together has made Lorber, Haslip and Marienthal into a tight unit, which is evident from this recording.
Stretching the envelope has been Lorber’s strategy from the very beginning. Born in Philadelphia in 1952, Lorber began playing piano when he was just four years old. By his teen years, he had hooked up with several local R&B bands, but his tastes trended more toward jazz when he studied at Berklee College of Music.
After college, he relocated to Portland, Oregon, where he formed the Jeff Lorber Fusion. The group released their self-titled debut album in 1977, and quickly became one of the most popular acts in the jazz fusion scene, due in large part to relentless touring and a string of artistically daring and commercially successful recordings.
The entity formerly known as the Jeff Lorber Fusion became Lorber’s solo career with the release of It’s a Fact in 1982. After a brief but prolific stretch culminating with the highly successful Private Passion in 1986, Lorber took a break from recording his own material, opting instead to do session work and produce other artists. He resumed his solo career in 1991 with Worth Waiting For, although he continued to produce for the remainder of the decade.
Lorber has been just as prolific and innovative in the new century as he was in the last, with recordings on Narada (Philly Style, Flip Side), Blue Note (He Had a Hat), and most recently Peak (Heard That).
Support: The Ronnie Scotts All Stars
The Ronnie Scott's All Stars are comprised of some of the greatest talents on the U.K scene, including some of our most regular performers James Pearson (piano), Sam Burgess (bass) and Pedro Segundo (drums)
Musical Director at Ronnie Scott’s and the owner of a ferocious piano technique coupled with a sense of musicality rarely heard, James Pearson is one of the most exciting musicians to have emerged from the U.K in the last 25 years. After working with him, the late jazz legend Sir John Dankworth declared: "James Pearson is an exceptionally gifted artist. His masterful playing makes him head and shoulders above the rest of his contemporaries. He shows signs of true greatness".
Double Bass Despite only being in his early 30’s, already Sam is a stalwart of the UK jazz scene. As well as appearing on numerous film soundtracks such as 'Bridget Jones's Diary' and 'Hannibal'. Sam’s thumping, pounding, relentlessly driving bass lines have been heard accompanying the likes of Bob James, Billy Kilson, Gary Novak, Joe Lock, Dave Kekowski, Guy Barker, Dave O'Higgins, Pete King, Gareth Williams, Claire Martin, Jim Mullen, Alan Barnes, Tim Whitehead, John Horler, Gwyneth Herbert, John Dankworth, The BBC Big Band and Robbie Williams.
At 22 years old Pedro Segundo, Portuguese drummer joins the James Pearson Trio at Ronnie Scott’s Jazz Club.
Born and raised in Lisbon, picked up the drums seriously at the age of eight starting studying classical percussion a year later. In June 2011 he graduates from Guildhall School of Music and Drama in Timpani and Classical Percussion. His musical ability combines a blend of styles creating a unique sound on the drum set. He has played regularly with Dennis Rollins, Femi Temowo, Mário Franco, Cleveland Watkiss and many other artists touring in festivals all around the globe.
Other regular performers include:
Dave Ohm (drums), Natalie Williams (vocals), Alex Garnett (sax), Nigel Price (guitar), Steve Rushton (drums), Polly Gibbons (vocals), Alistair White (trombone), Gary Baldwin (hammond), Al Cherry (guitar), Matt Home (drums), Alan Barnes (sax), Ralph Salmins (drums), Arnie Somogyi (bass), Mark Smith (bass), James Nisbet (guitar), Pete Long (sax), Gerard Presencer (Trumpet), Dave O’Higgins (sax), Alec Dankworth (bass), Steve Fishwick (trumpet) and others...
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