Tuesday 23rd October 2012
- Wednesday 24th October 2012
£25.00 - £40.00
“By jazz-purist standards, the Bad Plus are piano-trio gangstas.” (Rolling Stone)
For the past ten years The Bad Plus—- Reid Anderson, Ethan Iverson and David King —-have broken down the walls of jazz convention and created an uncompromising body of work. Few jazz groups in recent memory have amassed such acclaim, and few have inspired such controversy. Their belief in the band ethos and their personal brand of avant-garde populism have put them at the forefront of a new instrumental music movement, drawing audiences both traditional and mainstream. While the bulk of their output has been original music, they have deconstructed songs in the pop, rock as well as the country and classical music idioms.
The Bad Plus
Release Date: October 22nd 2012
“If the Coen Brothers put together a jazz trio, perhaps it would be like this, the comic and the dramatic rolled together.”
“It’s about as badass as highbrow gets.”
The Bad Plus has spent more than a decade redefining what a piano-bass-drums trio can and should be. They've reached audiences of all demographic stripes with an uncompromising body of original music (plus some ingenious, genre-jumping covers) and dedicated touring around the globe. On their eighth studio album, Made Possible, bassist Reid Anderson, pianist Ethan Iverson and drummer David King take their distinctive musical modus operandi to captivating new heights, proving once again that the rules of musical convention are made to be broken.
"This band contains some of the most punk energy I've ever seen or felt as a musician — it just doesn't need to do it so obviously," King says. "That's our statement. It's a complex emotion."
Made Possible marks a palpable departure for The Bad Plus on a few fronts. Layers of synth and electronic drum sounds can be heard prowling amid the trio's signature acoustic palette. Also, whereas the group's new material typically gets a thorough road test before being recorded, these songs were brought in with looser expectations and even more potent possibilities. And for the first time since 2005's Suspicious Activity?, the band chose to record far away from its Minnesota motherland, holing up instead at a remote studio in upstate New York.
The resulting nine tracks — eight originals plus a loving nod to the late Paul Motian ("Victoria") — showcase everything this groundbreaking trio is capable of: pulse-pounding anthems, bright-eyed melancholia, bold juxtapositions, tunefully mathy contortions and a masterful sense of song. "Seven Minute Mind" and "Wolf Out" are streaked with heady minimalism. "For My Eyes Only" and the epic "In Stitches" highlight the group's vulnerable, ambitiously emotive core. "Re-Elect That" honors and extends the rich bloodline of American avant jazz, while "I Want to Feel Good Part Two" offers an irresistible two-beat that's equally suitable for a postmodernist time capsule or a church picnic. As ever, the sum effect is a welcome demolition of what listeners might expect from an instrumental trio.
Throughout its career, The Bad Plus has held fast to a band ethos (deeply collaborative with no “leader”) and a belief in what its members like to call avant-garde populism (progressive, musically sophisticated ideas without the highbrow trappings). Made Possible is a vivid and convincing document of this passionate stance, loaded with genre-defying music that is at once complex, heartfelt and instantly engaging. Or, as Iverson puts it, “It’s the sound of getting together in your garage, all committing no matter what, and seeing what you can make up.”
The Bad Plus play live at Ronnie Scott’s, London, on October 23rd and 24th
Support: The Ronnie Scotts All Stars
The Ronnie Scott's All Stars are comprised of some of the greatest talents on the U.K scene, including some of our most regular performers James Pearson (piano), Sam Burgess (bass) and Pedro Segundo (drums)
Musical Director at Ronnie Scott’s and the owner of a ferocious piano technique coupled with a sense of musicality rarely heard, James Pearson is one of the most exciting musicians to have emerged from the U.K in the last 25 years. After working with him, the late jazz legend Sir John Dankworth declared: "James Pearson is an exceptionally gifted artist. His masterful playing makes him head and shoulders above the rest of his contemporaries. He shows signs of true greatness".
Double Bass Despite only being in his early 30’s, already Sam is a stalwart of the UK jazz scene. As well as appearing on numerous film soundtracks such as 'Bridget Jones's Diary' and 'Hannibal'. Sam’s thumping, pounding, relentlessly driving bass lines have been heard accompanying the likes of Bob James, Billy Kilson, Gary Novak, Joe Lock, Dave Kekowski, Guy Barker, Dave O'Higgins, Pete King, Gareth Williams, Claire Martin, Jim Mullen, Alan Barnes, Tim Whitehead, John Horler, Gwyneth Herbert, John Dankworth, The BBC Big Band and Robbie Williams.
At 22 years old Pedro Segundo, Portuguese drummer joins the James Pearson Trio at Ronnie Scott’s Jazz Club.
Born and raised in Lisbon, picked up the drums seriously at the age of eight starting studying classical percussion a year later. In June 2011 he graduates from Guildhall School of Music and Drama in Timpani and Classical Percussion. His musical ability combines a blend of styles creating a unique sound on the drum set. He has played regularly with Dennis Rollins, Femi Temowo, Mário Franco, Cleveland Watkiss and many other artists touring in festivals all around the globe.
Other regular performers include:
Dave Ohm (drums), Natalie Williams (vocals), Alex Garnett (sax), Nigel Price (guitar), Steve Rushton (drums), Polly Gibbons (vocals), Alistair White (trombone), Gary Baldwin (hammond), Al Cherry (guitar), Matt Home (drums), Alan Barnes (sax), Ralph Salmins (drums), Arnie Somogyi (bass), Mark Smith (bass), James Nisbet (guitar), Pete Long (sax), Gerard Presencer (Trumpet), Dave O’Higgins (sax), Alec Dankworth (bass), Steve Fishwick (trumpet) and others...
To find out more, please go to:
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