Ron Carter's Foursight

SOLD OUT - Ron Carter's Foursight , Zara McFarlane, Josh Arcoleo Quartet (15th)

Wednesday 14th March 2012 - Thursday 15th March 2012
Dates: Wednesday 14th March - Thursday 15th March Ticket Prices: £20.00 - £40.00
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Wednesday 14th March 2012
- Thursday 15th March 2012

Doors open time

First House

Ticket Prices:

£20.00 - £40.00


Ron Carter's Foursight Zara McFarlane Josh Arcoleo Quartet (15th)

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Ron Carter's Foursight Zara McFarlane Josh Arcoleo Quartet (15th)

Booking now closed, a few tickets still left on the door.

Lineup: Ron Carter (bass, lead), Jacky Terrasson (piano), Rolando Morales-Matos (perc), Payton Crossley (dr)

Ron Carter is one of the most brilliant bassists in the world. He gained his first experience with Chico Hamilton, Eric Dolphy, Thelonious Monk and Cannonball Adderley, among others. In 1963 he became a member of Miles Davis’s band, where he had a major role up to 1968, as well as on many groundbreaking records. Following that time, he mainly led his own groups and became one of the most sought-after sidemen in jazz. He has recorded many albums, but his list as a session musician is even more impressive. In recent years, Carter has performed with various formations under the names Golden Striker Trio and Foursight. This last group is a quartet that brings the music of Miles Davis back to life.


Ron Carter is among the most original, prolific and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy. He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences.


In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call 'Sheet Blues', an instrumental composition from the film 'Round Midnight. In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions.


Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City. He has also received two honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France's premier cultural award--the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.


Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever.


Supporting Artist/Band

Zara McFarlane

“Her third and most impressive album to date.” MOJO

“A kaleidoscopic 12-song set.” Record Collector

“Understated power.” Jazzwise

“Audacious.” Uncut

“A classy celebration of black British music.” The List

**** (and a 1/2)      All Music

****     Evening Standard

Eloquent and provocative singer-songwriter, Zara McFarlane, is the UK’s Black British foremost Jazz Vocalist. With two critically acclaimed albums to her name, she inhabits an unusual musical landscape, fearlessly exploring original material & reworking well known classics from the worlds of Jazz and Jamaican music. September 2017 sees her return with her third studio album “ARISE” which traces her musical heritage of the Caribbean and explores her take on the musical possibilities of British-Jamaican identity.


“ARISE,” which is produced by multi award-winning drummer Moses Boyd and released on Brownswood Recordings, is a product of their exploration of the meeting points between British Jazz sounds and the rhythms of Jamaica namely; Reggae, Kumina, and Nyabinghi. Both of Caribbean descent, the collaboration has resulted in a very sophisticated, honest offering of socio-conscious lyrics and pulsating rhythm. The album, supported by funding from PRSF Women Make Music Fund, features a stellar line up of some of the key players on the London jazz scene; Moses Boyd [Drums], Binker Golding [Ten. Sax], Peter Edwards [Piano], Max Luther [D.Bass],  Shirley Tetteh [Guitar], Nathaniel Cross [Trombone], Pete Eckford [percussion] and Shabaka Hutchings [Clarinet].

Zara’s music is seductive and earthy. As a performer she is uniquely engaging, deftly combining the intricacies of jazz with a deep soulfulness, melding multiple influences from reggae to pop, folk and blues with both her originals and choice of covers. Her breakthrough 2012  jazz cover of Junior Murvin’s ‘Police and Thieves’, provided a jumping off point to further explore the blurred, colourful territory in between jazz and roots-reggae. On “ARISE” we see her continue to explore her Jamaican roots covering Nora Dean’s “PEACE BEGINS WITHIN” and a beautifully poised version of the Congos’ “FISHERMAN” teases out the poignant lyrical content of the 1977 classic. This time her originals have a socio-political lilt, inspired by the political reggae movement of 70’s Jamaica, as well as her trademark compelling self-reflections and observations.

Zara McFarlane first made her solo outing in 2010 when she issued her self-produced EP, Until Tomorrow,  catching the attention of Gilles Peterson who released her debut album of the same title, the following year on his label, Brownswood Recordings.  Positioned neatly between the twin worlds of modern jazz and nu-soul, it confirmed the presence of a very special artist, receiving rave reviews and a MOBO Award Nomination, and heralding a major new talent in the world of British Jazz. 

Her sophomore album, IF YOU KNEW HER,  released on Brownswood Recordings in 2014, showcased a more ambitious body of work drawing from many influences; from the deep spiritual jazz reminiscent of the ‘spiritual jazz’ movement and of 70’s black America to soul, jazz, dub and reggae. It saw her blossom as a lyrically conscious songwriter and garnered further recognition winning 3 awards; a Best Jazz MOBO Award 2014, an Urban Music Award for Best Jazz Act 2015 and a Jazz FM Award for Vocalist of the Year in 2015.

With a voice that has been described as ‘a caressing voice of sparkling clarity,’ and ‘vocally akin to early Nina Simone and Roberta Flack’, her delivery stems from both a natural gift and years of formal study at a very high standard. She studied Musical Theatre at BRIT School of Performing Arts, Popular Music & Performance at BIMM and holds a Masters Degree in Jazz Studies attained at the Guildhall School of Music and Drama.

Unsurprisingly, she is much in demand as a featured vocalist internationally. She has collaborated with; US House legend Louie Vega featuring on his Grammy nominated album "Starring XXVIII”,  Italian DJ Nicola Conte, Gary Crosby’s Ska Orchestra Jazz Jamaica, the Swiss Harmonica player Gregoire Maret, US trumpeter Leron Thomas, Spanish flamenco pianist Ariadna Castellannos as well as up- and -coming British Jazz acts such Shabaka Hutchings, Moses Boyd, Ezra Collective and Camila George. Her tracks have been remixed and reworked by the likes of British DJ Bopstar, Viennese Techno Duo Ogris Debris, Ninja Tune’s Floating Points, Afro-Funker Osunlade and Space-Jazzers Emanative and has paid tribute to Tammi Terrell with Norwegian Dj/Producer Dalminjo. She has also been a supporting act for the likes of the godfather of South African jazz and funk, Hugh Masekela; Gregory Porter, Dianne Reeves and Gwen McCrae.

​Zara is passionate about exploring all avenues as a performer and vocalist. This year saw her have a debut season with the Royal Shakespeare Company as the featured singer in the play Anthony and Cleopatra (directed by Iqbal Khan) at the world famous Royal Shakespeare Theatre performing music written by Laura Mvula. Zara is also writing a musical inspired by a Caribbean folk story set in colonial Jamaica. She received funding from the Jerwood Charitable Foundation to conduct field research in Jamaica this year. She also continues to maintain a role in education, teaching vocal workshops internationally.

Josh Arcoleo Quartet (15th)

Josh Arcoleo Quartet (15th)

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Dates: Wednesday 14th March - Thursday 15th March Ticket Prices: £20.00 - £40.00
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